Tag Archives: graphic

In the Beginning…

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Cotton application of ink onto newsprint
was the method of shading used in this studio art project.

Now that I have finally made it to the end of this summer semester, it is time to return to my domestic responsibilities in full force.  Our garage is still stacked high with boxes from our recent move and my [somewhat] freshly painted studio is buried in the basement by bins filled with supplies begging to be organized.  Do you ever find yourself vowing to purge stored forgotten treasures only to become entranced by volumes of unboxed memories?  Well, as I meandered through this maze of sketch pads and easels, I came across my cardboard, poorly duct taped college art portfolio from a time that predates vector graphics – at least before they were commercialized to the general public.  Yes, I realize that maps my post secondary education on a timeline, but it also serves as a disclaimer for coloring outside of the lines in these projects… in the spirit of ‘We just didn’t know any better’… That was the season when “Def Leppard” played in the Ratskellar, Dana Carvey & Mike Myers were dabombdiggity on “Saturday Night Live” and cell phones looked more like walkie talkies… Good times, good times… So just for the fun of it, I thought I would post a few of my earlier projects that I unearthed in the process of declutterization… okay, who am I kidding… this is just a great excuse to get out of that mess downstairs!  Enjoy!…

An early ink graphic designed for my studio art class at the university.

This design was created with cut Canson paper.

The visual transformation of a sketch into an abstracted non-objective rendering.

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It was the Best of Times, it was the Worst of Times…

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Project #2 Objective: Complete a set of drawn studies of a simplified object using traditional drawing tools followed by vector production tools. Create a final study of 3 abstracted views of your object on a single page or composition.

Project 2, Part B… okay, this is where it gets good!  This is what I came to do!  My first crack at Illustrator, or any vector graphics program for that matter.  My closest interaction with this type of software, was back in the day when I was singing with a band, and we decided to put out a CD. That was my first fun with logo design, and I got to be the backseat driver for the graphic designer we hired to ‘pretty up’ the insert and get it printer ready. I’m sure he loved it ~ “hmm, that’s a nice idea, but, um – no… okay, slide that over there… no, more purple and make it gradient… oOoh, and marbly!… hey, what does that do?”… yeah, good times…

I diligently watched the tutorials, getting more and more excited about the possibilities.  Ideas were flowing out of my head on how it could be incorporated as an invaluable, production multiplying, time saving tool!  I couldn’t wait to download the application!!!… All set up, I started with what seemed to be the easiest image to trace, placed it on the artboard, cut the opacity so I wouldn’t confuse the new black traced lines with the original image, locked the layer and opened a new layer to get started.  Hmmm… where do I start?  Elliptical tool, line tool, pen tool… *!@#!!!… CMD+Z, CMD+Z, CMD+Z… okay, we’ll go back to that later… fill… polygon tool… pen tool… anchor points… handle… Why isn’t this working???… This doesn’t make sense!!!  Maaaarrrrk (that’s my husband)… look at what this crazy thing is doing, have you ever seen anything so ridiculous? (rant, rant, rant)… I mean, you would think for the actual price of this software it would be functional!  (he sits down, click, click, click)  “Is that what you were trying to select?”  Okay, psh… well, YOU didn’t watch the tutorials, so they must have confused me somehow from the obvious common sensical approach you just mustered there, whatever… okay, fine, I can do this… I CAN’T DO THIS!!!  What was I thinking?… Going back to school… and don’t even get me started on how to make a living as an artist!… Suddenly, I imagine Tom Hanks in a baseball cap yelling, “There’s no crying in Illustrator!!!”  No time for tears, project is due tomorrow… push through the pain…  After, a few more hours & just past pumpkin time, I collapsed into bed feeling completely defeated from my first and most simplified image.

I did not get a lot of sleep.  In fact, I tossed and turned most of the night.  The next morning, and for some unexplained reason, the image of Richard Simmon’s face danced around in my mind, while he beamed, “Come on, Honey!!!  Hop out of bed and get this day started!!!”  I moaned.  Then something snapped and a determination swept over me to figure this out.  I got dressed, dropped the kids off at school, poured my coffee (THAT”S a given!), grabbed a CD of Celine Dion to have at the ready… yeah, the FRENCH Album…  Okay, let’s DO this!!!

It wasn’t pretty at first, but time was of the essence, and I needed to get creative to get the effects I wanted.  I’m not proud of it, but I became one with the blob brush and the warp tool.  I still manipulated the paths and formed a few compound shapes, but I focused on cleaning up the lines and maintaining the integrity of the original images.

Save… Attach… POST… done!